Symbiopsychotaxiplasm《共生心理分类学》
简述
哲学类纪录片，Others 频道 1968 /2003 年出品。
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影片信息
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影片原始规格:
- 中文片名 ：共生心理分类学
- 中文系列名：
- 英文片名 ：Symbiopsychotaxiplasm
- 英文系列名：
- 地区 ：美国
- 语言 ：英语
- 版本 ：dvd
- 发行时间 ：2006
影片内容介绍
剧情简介
Filmmaker William Greaves is shooting a series of screen tests in New York City’s Central Park for the two leads of a feature length movie, with the working title of “Over the Cliff”. Simultaneously, he has a documentary filmmaking crew filming the behind the scenes making of the movie. In addition to seeing these two sets of footage (the film and the film of the film), the viewer also sees footage of a third film crew filming the these two in relation to what is happening overall as they film in the park while real life goes on around them, which in Bill’s mind is part of the realism of the movie. “Over the Cliff” itself has no plot and no full script but only a working concept of sexuality being the movie’s theme and snippets of scripted dialogue. This unstructured approach is to give the movie a sense of realism. The actors imply as much, but many of the crew
分集介绍
Take One
In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm Take One, director William Greaves presides over a beleaguered film crew in New York’s Central Park, leaving them to try to figure out what kind of movie they’re making. A couple enacts a break-up scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description. Yet this wildly innovative sixties counterculture landmark remains one of the most tightly focused and insightful movies ever made about making movies. Criterion presents this long- unreleased gem in a special two-disc edition, along with its sequel, Take 2½, made thirty-five years later with executive producers Steven Soderbergh and Steve Buscemi.
Take Two
In Manhattan’s Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It’s a confrontation between a couple: he demands to know what’s wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What’s the nature of making a movie?
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| 内容 应用科学类 | 医药 | 意识/精神/心理/行为/… |
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Category:片名 Category:Others Category:1968 Category:2003 Category:4. 应用科学类 Category:4.1 医药 Category:4.17 意识/精神/心理/行为/… Category:缺翻译